Fire Lapping at the Creek

by Alec Goldfarb

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1.	High Water All Round (feat. David Leon) 08:15	buy track
2.	And the Red Light was my Mind (feat. David Leon) 03:32	buy track
3.	Crow Jane 01:26	buy track
4.	I Know my Name is Written in the Kingdom (feat. Chris Tordini) 02:44	buy track
5.	Sound the Visage (feat. Steven Crammer) 06:05	buy track
6.	Fire Lapping at the Creek (feat. Xavier Del Castillo) 07:21	buy track
7.	Al’ud 01:04	buy track
8.	Seven Thunders Utter their Voices (feat. Xavier Del Castillo) 04:10	buy track
9.	You Gotta Take Sick and Die some of these Days (feat. Chris Tordini) 04:50	buy track
10.	Warm Hearts on the Lake of Fire (feat. Zekkerya El-Magharbel) 08:09	buy track

about

The blues is full of the mystical and the hidden.

Bluesmen hid magical objects like rattlesnake rattlers in their guitars, which would augment the supernatural sounds of their strings with the sympathetic resonance of the snake. The devil appeared as a snake to Eve, and to Robert Johnson. In Fire Lapping at the Creek we hear these resonances from a distant time and place, from this deepest wellspring of American music making.

The music presents a puzzle. There are echoes from places one would not often associate with the Blues: the Shire Highlands of Malawi, Lutheran Convents in Saxony, and the coasts of the Arabian Sea. These strands intertwine with the blues, hymns blending into shouts and microtonal melismas that hang over broken ragtime. As each piece unfolds, an epiphany crystallizes from within the music: an “aha” moment that the Blues is connected to these settings, these echoes. Across the 10 tracks, the sextet breaks apart these strands at the heart of the blues and alchemizes them into something mystical.

The Blues itself possesses many secret things, and in these compositions Alec Goldfarb brings out this transcendent quality by making secretive the known- ghostly tunings spiderweb out from blue notes, irrational rhythms overtake loping shuffles. The improvisers in this all-star sextet contribute equally to this resynthesis of the Blues from its basic components, completing the magic trick that we have been transported somewhere alien, some distant shore, but somewhere familiar.

Fire Lapping at the Creek creates a dialogue with our history that shatters the conception of the Blues as simple music without historicity. As we listen, we are reunited with the font of American music making- a revolutionary, ecstatic, syncretic, folkloric tradition that synthesizes Arabic, African, European, and American ways of music making known as the Blues.

credits

released April 12, 2024

"Earthy yet articulate, sweeping yet spectral, Fire Lapping At The Creek is an ecstatic monument to blues across space and time." Ana Gavrilovska, Uncut

"Realized by a rigorous and creative sextet, Goldfarb's scores are full of ingenious juxtapositions and twists." Stewart Smith, The Wire

"Fascinating and often unpredictable... If you give this disc some time, there will be some odd magic found within." Bruce Gallanter, DMG

David Leon - Alto Saxophone
Xavier Del Castillo - Tenor Saxophone
Zekkereya El-Magharbel - Trombone
Alec Goldfarb - Guitar and Composition
Chris Tordini - Contrabass
Steven Crammer - Drumset

Mixing/Mastering - Joseph Branciforte
Recorded at Big Orange Sheep by Michael Perez-Cisneros and Kevin Thomas
Artwork/Layout/Design by Rachel Meirs

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Alec Goldfarb Brooklyn, New York

Alec Goldfarb (b. 1995) is a Brooklyn-based guitarist and composer blending jazz, experimental, and Hindustani classical music. A DownBeat award-winner, his work explores hidden connections between sound cultures, described by The Wire as “full of ingenious juxtapositions." ... more

alecgoldfarb.com

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